Friday, January 29, 2010
Tuesday, January 26, 2010
Le colibri - Charles-Marie Leconte De Lisle
Le vert colibri, le roi des collines,
Voyant la rosée et le soleil clair
Luire dans son nid tissé d'herbes fines,
Comme un frais rayon s'échappe dans l'air.
Il se hâte et vole aux sources voisines
Où les bambous font le bruit de la mer,
Où l'açoka rouge, aux odeurs divines,
S'ouvre et porte au coeur un humide éclair.
Vers la fleur dorée il descend, se pose,
Et boit tant d'amour dans la coupe rose,
Qu'il meurt, ne sachant s'il l'a pu tarir.
Sur ta lèvre pure, ô ma bien-aimée,
Telle aussi mon âme eût voulu mourir
Du premier baiser qui l'a parfumée !
Charles-Marie Leconte De Lisle (1818-1894)
Sunday, January 24, 2010
Thursday, January 21, 2010
Wednesday, January 20, 2010
Tuesday, January 19, 2010
Sunday, January 17, 2010
Friday, January 15, 2010
Sunday, January 10, 2010
Saturday, January 09, 2010
the ocean is our blood
Deeply ingrained in our society, I think, is a belief that the sea as something to be challenged, something that is threatening, something that is a physical presence, an object only. Like the rocks that make the mountains, water makes the sea; it is essentially inanimate to us. For me the ocean is alive and has no end, all life exists in the sea and is connected. We carry the ocean in our blood.
Nearly everything I have read about the sea has been, no matter how lyrical, about the experience of the sea as a physical challenge to the individual, or tries to explain the ocean as a system. Trying to communicate the sea as a place of being is difficult when we cannot be in the ocean, yet we cause so much unknowable damage and hurt.
How can someone write about this place that doesn’t exist for most people but that is the essence of life?
How to communicate connectedness with something that is separate: there is ‘the sea’ and then there is ‘life in the sea’.
Bringing them together, uniting as one place that exists everywhere and giving that unison is the challenge. To me a sense of place is the particular place or environment that allows you to feel and connect with the wholeness of life, to feel and be part of the pulse of the world-animal.
όλο το άρθρο εδώ.
Friday, January 08, 2010
Wednesday, January 06, 2010
Then was my Neophyte - Dylan Thomas
Then was my neophyte,
Child in white blood bent on its knees
Under the bell of rocks,
Ducked in the twelve, disciple seas
The winder of the water-clocks
Calls a green day and night.
My sea hermaphrodite,
Snail of man in His ship of fires
That burn the bitten decks,
Knew all His horrible desires
The climber of the water sex
Calls the green rock of light.
Who in these labyrinths,
This tidethread and the lane of scales,
Twine in a moon-blown shell,
Escapes to the flat cities' sails
Furled on the fishes' house and hell,
Nor falls to His green myths?
Stretch the salt photographs,
The landscape grief, love in His oils
Mirror from man to whale
That the green child see like a grail
Through veil and fin and fire and coil
Time on the canvas paths.
He films my vanity.
Shot in the wind, by tilted arcs,
Over the water come
Children from homes and children's parks
Who speak on a finger and thumb,
And the masked, headless boy.
His reels and mystery
The winder of the clockwise scene
Wound like a ball of lakes
Then threw on that tide-hoisted screen
Love's image till my heartbone breaks
By a dramatic sea.
Who kills my history?
The year-hedged row is lame with flint,
Blunt scythe and water blade.
'Who could snap off the shapeless print
From your to-morrow-treading shade
With oracle for eye?'
Time kills me terribly.
'Time shall not murder you,' He said,
'Nor the green nought be hurt;
Who could hack out your unsucked heart,
O green and unborn and undead?'
I saw time murder me.
Collected Poems, 1934-1952